Source: Japan Kaleidoskop
“That sometimes in life we can’t grasp the boundary between reality and unreality. That boundary always seems to be shifting.”
The narrator of Killing Commendatore is a nameless portrait painter in his 30‘s living in Tokyo married to Yuzu, a female architect. Suddenly she is asking for a divorce, because she is in love with another man. She is having an affair for months now.
The narrator moves out. To get some fresh air he first goes on a trip to North Japan by car for over a month and a half. Then he settles for a living in an old wooden mountaintop house in Odawara, which belongs to the father of his friend Masahiko Amada. The old man was a famous painter, named Tomohiko Amada. Now he is in his 90‘s, suffering from dementia, and living in a nursing home near Izu Kogen.
The old house is fully furnished and equipped with things belonging to the old painter including a painting studio. There the narrator is living a simple tech-free life in the woods for the time of the story. He listens to records, mainly classical music, repeatedly to the comic opera of Strauss Der Rosenkavalier (The Knight of the Rose).
After a short period of time he gets a call from his agent: a client named Wataru Menshiki wants to be painted by him and only by him for a huge amount of money. The narrator cannot decline.
So, a mysterious stranger appears in his house. Tall, slim, white hair, perfectly in style. He is 54 years old, living as a single person in a white mansion across the mountain in view of the old house. He has become rich by selling his own tech company and by stock trading. His business is somewhat unclear and remains hidden in the dark as an …continue reading