Tokyo-based trio Loolowningen & The Far East Idiots have been creeping around and exploiting Japanese alt-rock’s unexplored corners and blind spots for the best part of the past decade, and on this sixth release of their career, they’re in particularly playful form. There’s a percussion-centred minimalism to their approach here, with the bass and guitars comfortable in taking frequent steps back to leave the eerie yet warm acoustics of Junpei Yamamoto’s sparse rhythmical utterances tapping out their coded messages in the foreground. As usual for the band, there’s a lot of vocal interplay and harmonies at work, which works in parallel with Loolowningen’s wilfully disconcerting rhythmical jitters to make a game out of deconstructing the habits that even alternative music tends to fall into, in a way that draws comparisons with bands like Hikashu, who are similarly playful with form, but generally more organic, less sharp edged than Loolowningen. Nevertheless, Loolowningen & The Far East Idiots’s music aren’t overwhelmed by their tightly wound structural gameplay, and when they open up space for vocalist Shigeru Akakura to simply sing a song, as on sixth track Coup, a melancholy warmth rises above the backdrop of the band’s complex rhythmical explorations. That combination of playfulness and melancholy, playing out over the often sparse musical set dressing that the band lay out is perhaps Anökumene‘s defining emotional and atmospheric characteristic, and the results are compelling.
There was of course a lot of Japanese music in 2019 that I didn’t listen to or that otherwise got left out of my top 25 rundown. There were a couple of releases in particular that I liked a lot and on another day might have been included, so first up, here’s a look at a couple of my additional favourites.
CD, Holiday Records, 2019
Bulbs of Passion – Low Life Tokyo indie rock band Bulbs of Passion have been plugging away in the background of the local scene for the best part of the past decade, with a solid catalogue of songs, although as far as I know the only available recording of them before this new EP was 2016’s The Very Best of Bulbs of Passion. For a band named after a Dinosaur Jr. song, Bulbs of Passion’s music has an unexpectedly light touch, the title track soaring out of the traps, kept aloft by billowing reverb, while Slap bounces along poppily on its off-beat. The closing Hurt, meanwhile nods to The Jesus & Mary Chain’s Just Like Honey before once again being launched skyward, powered by the band’s seemingly endless reserves of giddy enthusiasm.
Cassette, Instant Tunes, 2019
Yokoscum – Last Month’s Music An incessant hiss of distortion that may have originated in a guitar, an eerie throbbing electronic pulse, some devotional wailing, metallic hints of a pop melody, occasional gasps of confused desperation. DJ, event organiser and experimental musician Yokoscum’s Last Month’s Music cassette EP is an intriguing little creation, combining lo-fi noise and industrial with vaguely religious sounding mantras and letting the repetitive, insistent nature of both feed each …continue reading